I've dabbled in fanfiction myself, and I highly recommend it to any aspiring writers; by getting a handle on the characters in a fandom you feel a great deal of affection for, it helps you with your own original characters and characterizing them consistently. And if you're out to write a good fic that is consistent with what the media depicts, sometimes you'll struggle with whether or not a character would do this or that. And sometimes when torn between two ideas, you can come up with an equal case for both being consistent. But in the "Bizarro Conan" stories, I will illustrate that there is no room for interpretation; the character and world in the 82 movie behave and are depicted in the exact opposite way Robert E. Howard portrayed them.
So let's look at one of the more famous bits of dialogue from the film, the moment where Conan and Subotai are preparing to battle with Thulsa Doom's riders:
"Crom, I have never prayed to you before. I have no tongue for it. No one, not even you, will remember if we were good men or bad. Why we fought, or why we died. All that matters is that two stood against many. That's what's important! Valor pleases you, Crom... so grant me one request. Grant me revenge! And if you do not listen, then to HELL with you!"
That's actually a well written little speech. And never let it be said that Milius can't write great dialogue- witness Quint's speech in Jaws or Apocalypse Now (which is why it mystifies me that people claim that Milius intended with Conan the Barbarian that he wanted to tell a story mainly through images; I find it odd that the more experienced actors, Max Von Sydow and James Earl Jones, get lengthy speeches, whereas the inexperienced bodybuilder(arnold), dancer(Sandahl Bergman) and surfer(Gerry Lopez) get much shorter speeches despite far greater screen time)
What are the literary Conan's thoughts on praying to Crom? We happen to have a very telling passage from "The Queen of the Black Coast" to tell us exactly how he feels about that:
"[The] chief [of the gods of Cimmeria] is Crom. He dwells on a great mountain. What use to call on him? Little he cares if men live or die. Better to be silent than to call his attention to you; he will send you dooms, not fortune! He is grim and loveless, but at birth he breathes power to strive and slay into a man's soul. What else shall men ask of the gods? ... There is no hope here or hereafter in the cult of my people. In this world men struggle and suffer vainly, finding pleasure only in the bright madness of battle; dying, their souls enter a gray misty realm of clouds and icy winds, to wander cheerlessly throughout eternity."
And notice how Conan speaks a little bit about what he expects from the afterlife; how does this compare with the movie Conan's expectations for what lies Beyond?
Conan: What gods do you pray to?
Subotai: I pray to the four winds... and you?
Conan: To Crom... but I seldom pray to him, he doesn't listen.
Subotai: [chuckles] What good is he then? Ah, it's just as I've always said.
Conan: He is strong! If I die, I have to go before him, and he will ask me, "What is the riddle of steel?" If I don't know it, he will cast me out of Valhalla and laugh at me. That's Crom, strong on his mountain!
So they got one thing right- Crom lives on a mountain. Crom has no time for bullshit riddles, and he won't reward any of his people for being able to answer one.
Do I hope you see what I am trying to accomplish with this blog; despite the title of this blog, it is about much more than the fact that Arnold himself was unsuited for the role; it is about how his casting was merely symptomatic of the approach that was taken for this film.
Another thing that irked me, and which you might get to later, was Conan's mockery of Subotai's beliefs - "Crom laughs at your four winds. Bwa-ha!" I don't recall thinking that Howard's Conan, a man who claims he "would not tread on their shadows" in regards to other men's gods, would say such a thing. Conan's just not a "my god kicks your god's ass" kind of guy.
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